Be the first to write a review. Free shipping. Professional and versatile mixer for demanding applications in live sound as well as fixed installation. Performance without compromise.
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Email to a Friend. Be the first to review this product. These include high-quality, extremely low-noise, microphone preamps; six AUX busses; two bit stereo effects units; an band graphic equalizer; vocal voicing filters; and a low-cut filter.
The compact system therefore brings semi-professional studio quality to tasks such as live and studio recording, playbacks and interval music. The effects section of the new CMS family is as extensive as it is practical.
Among its features are two separately editable effects processors with 2 x factory presets optimized for live performance, 2 x 20 user presets, remote control via MIDI , tap delay, USB configuration as well as a large, high-contrast OLED display.
These offer the user a multitude of effects options of the highest quality — whether in live performance on stage or in the studio. With them, the CMS mixers satisfy the highest concert sound requirements. As was the case with its predecessors in the CMS mixer family, the new generation is notable for its first-class handling characteristics.
Time is saved and reliability enhanced during setting-up, as the complicated business of rack configuration and the interference-prone cabling-up of individual devices is avoided. Innovation also in design: The new protective lid, available as an accessory, with its integrated handle not only looks good but ensures that the device can be carried to and from gigs in comfort and safety.
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range dB. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch RCA sockets switched in parallel for CD or MP3 players. Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
The band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. The Standby switch mutes all channels e. The USB 2. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals e. It is configured by selecting the relevant setting in the menu.
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering effects algorithms optimized for live performance, the most important parameters of which are editable.
The program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings.
The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus. For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation. Optionally available for the CMS and is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For rack installation of the CMS or table installation of the models and , the mounting kit RMK is available. Dimensions W x H x D, without lid , mm Weight, without lid 9.
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By integrating a high-quality mixer, two digital effects processors of studio grade, a graphic equalizer and also a professional digital interface to PC or Mac, the CMS mixers represent the ideal solution for a large number of demanding applications in the audio sector. The mixing section starts with 16 lowest noise, discrete microphone preamps. The two effects processors offer factory presets, including the already legendary PowerMate-reverbs. A TAP key allows precise setting of delay times.
Dynacord CMS 1600-3
Email to a Friend. Be the first to review this product. These include high-quality, extremely low-noise, microphone preamps; six AUX busses; two bit stereo effects units; an band graphic equalizer; vocal voicing filters; and a low-cut filter. The compact system therefore brings semi-professional studio quality to tasks such as live and studio recording, playbacks and interval music. The effects section of the new CMS family is as extensive as it is practical. Among its features are two separately editable effects processors with 2 x factory presets optimized for live performance, 2 x 20 user presets, remote control via MIDI , tap delay, USB configuration as well as a large, high-contrast OLED display. These offer the user a multitude of effects options of the highest quality — whether in live performance on stage or in the studio.
DYNACORD CMS 1600-3
It's not the cheapest mixer in its class, but with its built-in effects, graphic EQ and quality engineering, the PowerMate offers real value. When fitted, the cover protects the entire control surface. The mono channels additionally have TRS jack insert points, and phantom power for the mic inputs is switched in three groups, for mic inputs , and Phono connectors are used for the two-track inputs and outputs, with two further sets of phonos provided to allow CD players or other music players to be fed through the mixer. These last two break the connection between the main mix output and the power amp input, allowing for some interesting routing options of which more later. All the jack sockets are robust metal-chassis types and, with the exception of the insert points and headphone out, are either balanced or ground-compensated as necessary.