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Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Travels in Hyperreality by Umberto Eco. Travels in Hyperreality by Umberto Eco ,. John Radziewicz Editor. William Weaver Translator. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book. Get A Copy. Paperback , pages. Published May 27th by Mariner Books first published More Details Original Title.
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Sort order. Start your review of Travels in Hyperreality. I like to pick books at random and wander for a bit. Sometimes these wanderings take me places I want to go and find rewarding, other times they just take me wandering. But wandering is important. It's important to get lost, to try new things, to add spontaneity to your life.
I wander into an essay about garments in this book that changes the way I write this book review. In one of the essays, Eco describes how the garments of our time shape our personality, even our writing. Eco writes that a g I like to pick books at random and wander for a bit. Eco writes that a garment that squeezes the testicles makes a man think differently. I put that theory to the test by wearing underwear two sizes too small for parts of this review.
The parts that seem harsh must be times when I am wearing underwear that is too tight. The parts where I am witty and charismatic must be the times when I am wearing a loose-fitting robe and sandals the true clothes of thinking men. So what is Faith in Fakes? Faith in Fakes is a book about spontaneous discovery, thinking as play, and true understanding as rejecting intellectual closure.
It was refreshing to find a book that mirrored my way of thinking. The ideas in this book are often half-formed. They remain that way many times because they push against realities, which, if they were encapsulated in total understanding, would not be understood at all. Let us understand something a little differently, and if we are not entirely satisfied, let's leave it at that.
This must be the loose-fitting robe version of me talking. It's true that at times the book tends to wander and wander from idea to idea, around and around a message without making that message clear. The experience can be frustrating Underwear two-sizes too small persona talking.
When you feel this way, my advice is easy -- wear loose-fitting clothes, loose-fitting undergarments, or simply read the book again nude and see how you feel about it. I see Umberto Eco as inhabiting a category of thinker similar to Michel Foucault -- just when you want to put a label on him, he changes. If you label me, you've killed me. I tear the label off my two-sizes-too-small underwear! Because power adapts, because people adapt, because culture and society are moving objects with thinking things at their core, and because our own thinking is never outside this process, we too must adapt or die as thinkers - that's how I see this book.
It's that quality of creative play that makes a book of essays written in the 70s and 80s feel timeless. As Umberto Eco himself says, No everyday experience is too base for the thinking man. At times when I was reading this book, I heard the distinct voice of Aschenbach, the cloistered traditional German author who is the protagonist in Death in Venice The tight underwear is back. True, Eco is not the cloistered man -- he is a man of the world.
But he does represent the dignified elitist academic writer in the best sense I can mean this? In other words, he is not afraid to write ideas that go over our heads. If he is the dignified academic in some essays, he is the witty and resourceful humorist in others. He pulls off this intellectual flexibility with such grace and without pulling any muscles Any good essayists needs either flexible tights or a monk's robe.
So, I wander. From idea to idea. I throw away my too-tight underwear and my robe and sandals and sit nude in my apartment with a martini contemplating the deeper meanings of Thomas Aquinas, Disney World, and football what Americans call "soccer". I don't think Umberto Eco would have it any other way. View all 10 comments. May 01, C. Varn rated it it was amazing. Travels in Hyperreality was a text from the late s and early s editorials by Umberto Eco which really hit home when a lot of the meta-commentary of entertainment hit in s when I read it was a freshman in college.
In many ways, Eco is a less "radical" Baudrillard, but one commentator with more knowledge of the medieval and the grounding of semiotics to really make it stick. Many of the assertions in this book about spectacle seem more true now than in the s when social media has l Travels in Hyperreality was a text from the late s and early s editorials by Umberto Eco which really hit home when a lot of the meta-commentary of entertainment hit in s when I read it was a freshman in college.
Many of the assertions in this book about spectacle seem more true now than in the s when social media has literalized many of the ideas of self as spectacle and gone are worries about authenticity. While "post-modern" does apply to this book in the sense that Eco is operating with post-structuralist assumptions, Eco does not write like most theoretical post-modernists and avoids lots of neologisms and more obtuse claims.
Like most of his books of popular essays, Eco requires you to have a huge frame of reference though and you may be looking up both medieval figures and pop culture of the s. Of the books I read in my freshman year, coming back to this book for the fourth time in years or so, I was surprised how much of this still stuck with me. Jun 02, April rated it it was amazing Shelves: theory. He also feels that Americans always want more of extra, and that we are not satisfied with the average serving of life and must strive to fabricate the absolute fake - for instance the oval office in Texas.
Everyone, except perhaps, New Orleans, is on his shit list. Should always be on the mind of visual artists who are informed by digital technologies Though written in , in my opinion, is even more relevant today.
May 31, Alex Bigney rated it liked it. Jul 06, Kathryn rated it liked it Shelves: This is a book of essays covering the years from through by Umberto Eco, the Italian novelist The Name of the Rose , semiotician, and cultural critic.
I cannot say that I enjoyed this book; Eco always writes as if his audience just graduated summa cum laude with a degree in Western Civilization This is a book of essays covering the years from through by Umberto Eco, the Italian novelist The Name of the Rose , semiotician, and cultural critic.
I cannot say that I enjoyed this book; Eco always writes as if his audience just graduated summa cum laude with a degree in Western Civilization, and at times he is just too much trouble to read, much less understand. I am reminded of a large cross I saw in San Antonio, nestled in the center of a fifteen-foot patch of prickly pear cactus; there was no way that anyone in his or her right mind would try to get to that cross. On the whole, I liked the essays I could understand, in whole or in part; I just cannot give an unqualified positive review to a book of essays in which there exist essays that I could not understand, in whole or in part.
I will leave it to those who read my Book Reviews to determine whether the fault in comprehending a good deal of Eco lies in him, in me, or in translation from the Italian. A collection of essays by Umberto Eco from the seventies and early eighties written in the Italian Press and collected and translated into english.
Eco when he writes for popular audiences is fun to read whether it be fiction or non-fiction. These essays are good and while a few are a little dated these days especially when he talks about media which back then was television and radio most of the essays and ideas are fresh and interesting.
Some of his critiques of American culture in the begini A collection of essays by Umberto Eco from the seventies and early eighties written in the Italian Press and collected and translated into english.
Travels in Hyperreality
Il costume di casa Faith in Fakes was originally an essay written by the Italian semiotician Umberto Eco , about "America's obsession with simulacra and counterfeit reality. The book is a collection of articles from mainly Italian newspapers and magazines about the wider subject of human consciousness, including Eco's own subject of semiotics. The subjects of the main essay includes modern Americana such as wax museums, Superman and holography , and the other articles discuss a number of other subjects, including football , the Middle Ages , Jim Jones and the People's Temple , and tight jeans. The collection included the influential  article Towards a Semiological Guerrilla Warfare , first given as a lecture at the conference Vision '67 in New York, and included in Eco's first work on semiotic theory, his La Struttura Assente The Absent Structure.
Faith in fakes? Travels in hyper-mobility
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